Tuesday, January 7, 2020

This piece of work will try to find the answer to the...

This piece of work will try to find the answer to the question ‘In Nietzsche’s first essay in the Genealogy of Morals, does he give a clear idea of what good and bad truly are and what his opinion of those ideas is’. It will give a brief overview of his first essay, it will also go into greater detail of what he claims good and bad truly are, and finally look at what he is trying to prove with this argument. It will look at his background in order to see if and how that has influenced his work and opinions. Nietzsche introduces the differences between what he names later in his first essay the master morality and slave morality. The first master morality is the ideas of the nobles, including solders and other ruling classes. This he†¦show more content†¦He expresses his disappointment in the fact that these people cannot see history in a clearer and unbiased way, all they talk about and then again when they come to their conclusions their words and their conclusions are all influenced by the moral ideas of the time they live in. Nietzsche claims that to read history one must take an unbiased view and separate themselves from their own personal morals and ideas, and the morals and ideals of the society they live and were brought up in. this view should also be taken when reading the works of Nietzsche himself, meaning that for example, just because Nietzsche sees and talks about slave morality as having its beginning in what he called Jewish hate, when reading the piece you shou ld not take his words as a condemnation, of the Jewish ways, morality, or even of the ideal that is known as ‘hatred’. When he goes into detail he is not calling any of the things he mentions ‘good’ or ‘bad’ and in fact he seems to be criticizing what the people in modern times see as ‘good’ and ‘bad’ and if such concepts even truly exist . He later talks about how it is the morals and the loathing of what he names the ‘slave or priest classes’ for the ‘master’Show MoreRelatedStaying True to Self: Examining the Elements which Hinder Assimilation in Sherman Alexie’s Reservation Blues and Tyehimba Jess’ Leadbelly2263 Words   |  10 Pagesand traditions that changes an individual. Forced or willingly done, this act of assimilation is a loss of a person’s identity within his/or her own culture, whether he/or she is African, Native American, Chinese or Latino. However, who says that one must fully assimilate into another culture, taking on another’s entire way of living and committing to those beliefs, ridding oneself of one’s own heritage? In Lee Schweninger’s essay, â€Å"Back when I used to be Indian: Native American Authenticity and PostcolonialRead MoreOverview of Three Interpretations of Samuel Becketts Waiting for Godot3226 Words   |  13 Pagesw rote Waiting for Godot between October 1948 and January 1949. Since its premiere in January of 1953, it has befuddled and confounded critics and audiences alike. Some find it to be a meandering piece of drivel; others believe it to be genius. Much of the strain between the two sides stems from one simple question. What does this play mean? Even within camps where Waiting for Godot is heralded, the lack of clarity and consensus brings about a tension and discussion that has lasted over sixty yearsRead Morewisdom,humor and faith19596 Words   |  79 Pagesto judge others; humor: the intoxicating relativity of human things; the strange pleasure that comes of the certainty that there is no certainty.† Milan Kundera, Testaments Betrayed (1995), 9, 32-33. â€Å"When people ask me if theres an afterlife, I answer, ‘If I knew, I would tell you.’† Art Buchwald,  Too Soon to Say Goodbye (2006), 29. ——————————————— â€Å"I can’t imagine a wise old person who can’t laugh.† So said psychologist Erik Erikson, and many wisdom researchers say the same about a wiseRead More Salman Rushdie’s Midnight’s Children Essay4083 Words   |  17 PagesSalman Rushdie’s ‘Midnight’s Children’ 1 Introduction This paper will try to show how Salman Rushdie uses narrative technique, genre and the concept of history in a very new way in Midnight’s Children in order to place his story outside the euro-centric tradition of literature, narrative and history. These traditions, appearing in the colonial period, have constructed a notion of universalism in literature where the ‘classics’ of the western canon have set the order of the day (AshcroftRead MoreFate and Destiny7886 Words   |  32 Pagesa great deal of attention given to the â€Å"free will versus determinism† debate. However, little attention has been paid to the most common expressions from this controversy—people’s everyday experience of fate and destiny. In fact, fate and destiny are terms that are often used as synonyms as if there were no differences between the two words. This paper distinguishes the two concepts by reviewing some historical distinctions made by a variety of p hilosophers, psychologists and scientists. The paperRead MoreThe Influence of Music on Self and Society - Values in Music in Eastern and Western Cultures8787 Words   |  36 Pagesand societies alike. Felix Mendelssohn once remarked that music is more specific about what it expresses than words written about those expressions could ever be. That music has the power to express, convey and illicit powerful emotions is without question, however the issue of musics moral and ethical power, and how that power affects individuals and societies, is one that receives too little attention in our post-modern world. Ancient cultures held strong beliefs in the moral and ethical power of

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.